Tales of Rock – 5 Songs That Only Became Popular Because We Missed Their Meanings

Ronald Reagan famously misinterpreted “Born in the U.S.A.,” thinking it was about how awesome America was, spacing out during the lyrics about out-of-work vets hounded by memories of dead friends lost in a pointless war. The Gipper wasn’t the only one to miss the point. Pop music can be deceptively deep, and so some songs are only beloved and remembered due to us being completely oblivious.

Funny enough, when those smash hits make millions of dollars, artists generally don’t seem in too much of a hurry to correct us …

“Have Yourself a Merry Little Christmas” Is About A Father Destroying His Family’s Lives For Money

Commissioned for the musical Meet Me In St. Louis, Ralph Blane & Hugh Martin churned out one of the most memorable Christmas songs ever written and one of Judy Garland’s signature numbers. Everybody loves a warm, cozy Christmas song. Too bad “Have Yourself a Merry Little Christmas” isn’t one.

It’s actually about hard times and the economic necessity to pack up and take your family away from your small, close-knit little community to relocate to New York City, left only with pale memories of better times. Near the end of the film, Garland sings of friends and memories that are lost and might never be recovered, echoed in the line, “Until then we’ll have to muddle through somehow,” with the scene culminating in a child’s emotional breakdown. Not to mention that when Judy Garland sings of trauma, alienation, and lost innocence, she speaks as an authority.

Loew’s Inc.
“Hey, I think you lost your whiskey flask in that mound of asbestos, Judy.”

The song was so depressing that it was altered twice. First changed only superficially, altering the breathtakingly-nihilistic line: “Have yourself a merry little Christmas, It may be your last,” to the slightly less pathetic: “Have yourself a merry little Christmas. Let your heart be light,” the song remaining very downbeat. And then a second time, the song altered by Frank Sinatra, who made it a habit of changing other songwriter’s lyrics, turning it saccharine and easily digestible. While Garland’s rendition remains the more iconic, the melancholy truth has been wiped away by a cheery erasure … which is probably the most on-point message for child stardom imaginable.

“The Clown Song” Was Written as an Epic, Heroic Theme

Nobody knows what it is called, but once you hear “clown music,” you’ll know it immediately.

If you have coulrophobia, shoot, we probably should have given you a trigger warning or something before we dropped that song. Sorry.

The disconnect between intent and interpretation apparent when you learn that the goofy-sounding tune was originally titled: “Entrance of the Gladiators.” And, no, the title is in no way being sarcastic; this was intended to be a grandiose, dramatic, awe-inspiring march to be played by a real military band or orchestra instead of an organ grinder in a circus.

The piece was written in the era when marches were the hottest genre of music, with no shortage of wars to play it during. Tonally, it was conceived to summon the pomp and life-and-death struggle that was armed combat in the Coliseum to life. It was composed by Czech military bandleader and prolific composer Julius Fucik, who, in all certainty, did not have a fez-bedecked simian sidekick.

Library of Congress
His monkey wore miniature gladiator armor.

Fucik approached his craft with great pride, studying under the tutelage of master Antonin Dvorak and touring across Europe, a respected figure. All well and good until one day, his song, also known as “Grande Marche Chromatique,” was reworked by a Canadian arranger as “Thunder and Blazes,” forever destroying Fucik’s creation. The tune would never be taken seriously by anyone not wearing greasepaint and a red nose ever again.

“Baba O’Riley” Is an Ode to Meditation and Warding off Peer Pressure

The Who’s “Baba O’Riley” — or as it is usually referred to by everyone who isn’t a Rolling Stone writer, “Teenage Wasteland” — quickly attained status as a stoner classic. It’s a go-to title or reference for anything involving kids experimenting with drugs and rebelling against their parents.

Need background music to illustrate the generation gap while you give attention-seeking adolescents national TV coverage? Got ya covered:

“What are your kids doing in a back alley when you’re at work? Footage at 11!”

However, The Who’s Pete Townshend was not a dropout nor a casual-drug enthusiast like every other rock idol when he wrote “Baba O’Riley.” He penned the song when he was fed up with the cliched rock persona, making a point about drug dependency as a literal case of wasted potential. Townshend was really interested in trying to persuade us to open ourselves up to love and nourish our consciousness in a land of spiritual desolation. He failed, drowned out by the sound of a million bubbling bongs.

“Baba” refers to mute guru and avowed living god Meher Baba, of who Townshend was a zealous adherent. The mystic preached abstinence from drugs, with The Who songwriter gushing, “I felt more keen about getting into Meher Baba than I felt about being stoned all my life.” Listeners? They just wanted an awesome keyboard riff and refrain they could blast out a car window as they peeled out of the high school parking lot to pick up munchies.

“Song 2” Is a Smug Criticism of American Musical Tastes

The English “Brit-pop” outfit Blur was mostly overlooked by America in the mid-90s, with the grunge bands stealing all the spotlight. In response, “Song 2,” off their fifth studio album, was conceived as a joke. It imitates American grunge groups’ distorted, wailing guitar sound while also mocking their fan bases’ hyperactive antics, whom the band perceived as having trash taste. Even the title reminiscent of a hunk of molded plastic that rolls off an assembly line.

“Song 2” was a rebuke of everything that grunge stood for and a celebration of Blur’s Brit Pop genre. But, just like today, no one in America gave a shit about British musical pretensions, with listeners blasting it alongside grunge band de jour. Joining the pantheon of incoherent but catchy rock staples, the song was locked in at sports arenas and frat-party playlists.

Sounding like nothing the band had made to date …

… nobody understood the joke, assuming Blur were altering their sound and trying to appeal to Americans, yet more identical, skinny white dudes wailing over electric guitars. Their hit came to represent everything the singers were opposed to, as it became the most requested rock song on MTV. In America, it remains their only recognizable song despite a sizable back catalog. Blur seemed to forget about their message too and embraced it as their career-defining hit:

“Stayin’ Alive” Details Escaping a Depressing, Crumbling Dump

 

Soaring into the zeitgeist, fresh off the Saturday Night Fever soundtrack, “Stayin’ Alive” was the biggest hit and most recognizable single of the Bee Gees, the song emblematic of the disco era and decade. As the lyrics: “Somebody help me,” and “Life goin’ nowhere,” clearly hints at, the song was not designed to chronicle the local discotheque’s joys.

The Gibb Brothers were Brits, raised in Australia, and the song recorded in France. Their knowledge of America was limited to hotel rooms, buses, and newspapers. “The lyrics very obviously state the scenario of survival in the city, and it’s not about disco dancing at all,” Robin Gibb said. The city is New York, and survival is used quite literally. In 1977 the Big Apple was a laughingstock. If you know anything about its reputation as a failed, crime-ridden, miserable dump, you can figure it out what reality the song was really getting at…

The Bee Gees were trying to be profound, and we didn’t give them a chance. The line “New York Time’s effect on man,” is explained by the co-writer Barry Gibb, describing the song as bleak and intended for “desperate” people “crying out for help,” explaining why the music video was shot in a rubble-laden slum. There is a line about “dancing shoes,” but considering the rest of the song’s content, it’s metaphorical at best; according to Robin Gibb, the band completed “Stayin’ Alive” without even knowing the John Travolta film’s plot.

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Tales of Rock – 4 Crazy Tour Stories

Rock ‘n’ roll isn’t quite the same these days is it? We don’t hear quite as many crazy touring stories, fueled by drugs, alcohol, and god knows what else. But at least we still have the memories of the true rockstars; here are some of the more memorable:

ZZ Top’s buffalo escaping
ZZ Top had a real-life, living, and breathing buffalo on one of their tours, and it wasn’t the only animal tagging along. They also had a longhorn steer, two vultures, and two rattlesnakes for their famous 1976 and 1977 Worldwide Texas Tour.

You can imagine that having wild animals on tour is probably going to end badly, and you would be right – the animals escaped after a show on 12th June 1976 in Pittsburgh, Pennsylvania, doing damage to the stadium field. The buffalo escaped again in November that year, close to wrecking the nine rented limos parked at the venue.

Marilyn Manson doing $25,000 worth of damage to a hotel
After a concert in New York City in 1998, 29-year-old Marilyn Manson and his bandmates trashed the dressing room of the venue in a very ‘rock ‘n’ roll’ move. They then returned to their hotel where they started a food fight and proceeding to completely trash one of the rooms.

The posse ended up causing up to $25,000 worth of damage, including telephones struck in the middle of walls, burns on carpets, and stained bathtubs from their purple hair dye.

Van Halen’s equipment ruining venue stage
Van Halen used to have a very specific request for their shows backstage – a bowl of M&Ms with no brown ones. While this seems ridiculous, the request was actually part of a larger tactic. Compared to other bands of the time, the band had quite an impressive stage production, including nine 18-wheeler trucks full of equipment. So the M&Ms request was actually to make sure the promotor had read all the requirements of the tour, including some strict safety measures – like whether the venue floor can withstand the weight of the stage set.

At a concert at a university in Colorado back in 1980, the band found one brown M&M in the bowl – so they decided to trash their dressing room in true rockstar style. And it turned out the M&M trick worked – the contract was clearly not read correctly, and the venue floor couldn’t hold the stage set. $80,000 of damage (a lot more in today’s money) ended up being caused by the stage collapsing.

Ozzy Osbourne goes missing on Black Sabbath tour
Ozzy single-handedly made some crazy rock ‘n’ roll stories over the years, some odd like snorting a line of ants, and some offending entire states of the US like urinating on Almano in Texas.

A more amusing story though is when Ozzy went missing during a Black Sabbath tour in 1978. The band checked in to a hotel in Atlanta, and as they were preparing for their show that evening they realized Ozzy wasn’t in his room. His luggage was there untouched with a made bed, proving he had never even arrived. The police and local TV and radio were notified, with alerts sent out to the public.

Van Halen did their opening slot, then Black Sabbath got up on stage and apologized for having to cancel the show. Fast forward to 9 am the next morning, and the band gets a call from Ozzy asking when they’re leaving for the venue. Turns out he had drunk a bottle of something, went into the wrong empty room, and blacked out for over 24 hours. When he woke up he thought he’d only slept for one night.

 

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Tales of Rock – Rock ‘n Roll Mugshots

But some stars take acting out to a whole new level, and their deeds—or rather, misdeeds—cross the thin blue line that separates the legendary and the illegal, and brings them straight into the police station. Sure, charges related to sex and drugs may not be entirely unexpected for rock-n-rollers, but larceny, aggravated assault, and even murder are also in the mix below.

c. 1938
Frank Sinatra, aged 23, poses for a mugshot after being arrested and charged with “carrying on with a married woman” in 1938 in Bergen County, New Jersey.
Michael Ochs Archives/Getty Images
c. 1947
Jazz singer Billie Holiday’s mugshot in May 1947, when she was 32. She was arrested for possession of narcotics and served eight months in prison.
Bureau of Prisons/Getty Images
c. 1963
The first of three mugshots of Jim Morrison of The Doors. Here, aged 20, Morrison had been arrested on September 28, 1963, on charges of petty larceny, disturbing the peace, resisting arrest, and public drunkenness at a football game in Tallahassee, Florida. Morrison made fun of the players and the crowd and went so far as to steal an umbrella and a police officer’s helmet from a police car. Charges were dropped, but Morrison was fined.
Michael Ochs Archives/Getty Images
c. 1967
Aerosmith frontman Steven Tyler, aged 18, posed for his mugshot on March 15, 1967, in Yonkers, New York. He was arrested for possession of marijuana.
Bureau of Prisons/Getty Images
c. 1968
Jim Morrison’s second appearance, on January 29, 1968, in Las Vegas, Nevada, when he was 25. On this occasion, Morrison was detained at the Pussycat a’ Go-Go bar for public drunkenness and vagrancy.
Bureau of Prisons/Getty Images
c. 1969
Jimi Hendrix poses for a mugshot after his arrest for narcotics possession at Toronto International Airport on May 3, 1969, in Toronto, Canada.
Donaldson Collection/Michael Ochs Archives/Getty Images
c. 1970
Jim Morrison in Dade County, Florida, in September 1970. His arrest was for an incident a year previously, at Coconut Grove, Florida. Morrison was charged with a felony for lewd lascivious behavior, two misdemeanors for public profanity, two for public exposure, and one for public drunkenness—all while on stage.
Bureau of Prisons/Getty Images
c. 1976
David Bowie was arrested in March 1976, after a performance in Rochester, New York, for possession of around half a pound of marijuana. Three others were detained with Bowie, including Iggy Pop. They were all released on bail after three hours.
Bureau of Prisons/Getty Images
c. 1976
Jerry Lee Lewis was arrested by Memphis police in November 1976 and charged with public drunkenness and gun possession.
Bureau of Prisons/Getty Images
c. 1978
Bassist Sid Vicious of punk band The Sex Pistols poses for his mugshot after being arrested by New York City police for allegedly murdering his girlfriend Nancy Spungen on December 8, 1978 in New York City.
Michael Ochs Archives/Getty Images
c. 1980
An 18-year-old Axl Rose posed for the above Lafayette, Indiana police mugshot in July 1980. It was the first of at least five arrests for Rose.
Bureau of Prisons/Getty Images
c. 1982
David Crosby, founding member of The Byrds and Crosby, Stills & Nash was arrested by Dallas police in April 1982 and charged with drug and gun possession.
Bureau of Prisons/Getty Images
c. 1984
John Osbourne (aka Ozzy Osbourne) was arrested by Memphis cops in May 1984 and charged with public intoxication.
Bureau of Prisons/Getty Images
c. 1986
Kurt Cobain, singer of the Grunge band Nirvana, was arrested by Aberdeen, Washington police in May 1986, for spray painting the phrase “ain’t got no whatchamacallit” on vehicles.
Bureau of Prisons/Getty Images
c. 1988
James Brown posed for this South Carolina Department of Corrections mug shot in December 1988 after a jury found him guilty of aggravated assault, weapons possession, and failure to stop for police. His “failure to stop” saw Brown flee police across two States. When police blew out two of his tires, he drove on the rims for six miles. He served three years—one of a number of periods in prison.
Bureau of Prisons/Getty Images

 

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The Weirdest, Creepiest and Most Annoying Songs of the 70’s – Part 9

If you were like me in the 1970’s you listened to top 40 radio most of the time. You heard a lot of great songs and instant classics. But among them were many unforgettable songs that were just weird or strange. I’ve tried from memory to remember the ones that stand out in my mind.

For weird reasons they became hits. They either made no sense or having any musical merit. Just a bizarre era of story songs.

Of course, this stuff is all pretty subjective but I did have a few criteria for what should be here. I decided to include a song if it:

    • made me sick without even listening to it again
    • made me want to break my radio
    • made my stomach turn
    • brought out violent thoughts of hatred, revenge, etc.
    • reminded me how lame the radio and record companies are
    • could make me want to break my stereo
    • would make me leave a bar or club if they started playing it
    • would make me boo a band who started playing it
    • suspended my belief in a divine force that governs the universe

I’m not saying that there weren’t ANY good songs during the 70s but there was just a truck-load of waste back then. If anybody’s stupid enough to think that ALL disco sucks, remember that it’s just a bastard son of rhythm & blues just like rock’n’roll is- so they’re related, see? Also, the 1970s definitely didn’t have a monopoly on shitty music- there was tons of crap unleashed on us in the decade before and after and now also (there’s a future article there somewhere). Clothes-pin anyone?

The 70’s was an interesting time for music. There was a lot of experimentation and creativity from that decade, but there was also plenty of crap as well. Here is my list of the worst and most irritating songs of the 70’s.

 

Wreck of the Edmund Fitzgerald – Gordon Lightfoot – 1975

Compared to the rest of the songs on this list, this song should win a noble prize. I only just figured out that the wreck of the Edmund Fitzgerald wasn’t an ancient mariners tale, but was an actual breaking news story. The actual wreck in Lake Superior which killed 29 crew members happened in November of 1975. Gordon read a story in Newsweek about the tragedy and wrote and recorded this song the following month. It came out the next summer and got all the way to number 2 on the singles chart, which is pretty amazing for a 6-minute sea shanty with no chorus. Lightfoot changed a few details. The boat was actually loaded for Detroit not Cleveland and has actually revised the lyrics as more details of the wreck came out over the years.  The other songwriters on this list should take notice. This is how you tell a story in a song.

Run Joey Run – David Geddes – 1975

Ahh… this disaster.

David Geddes wrote a song, and this song was later revived in an episode of Glee. Struggling songwriter, Geddes was in law school when he got a call from a songwriter that thought his voice would be good for a song, called Run Joey Run. In this tragedy, both in terms of the story and this song, Joey sings about his dead girlfriend Julie who haunts him when he tries to sleep. She warns him not to come to her house because she’s been fighting with her father. We’re to believe that Julie is pregnant but she promises her dad that she and Joey will get married. (Just you wait and see) Of course, Joey comes to be by her side, her father tries to shoot him, but he hits her instead. Yes, even in the ME decade of the ’70s these are the lessons and the morals we grew up with.

I was 13 years old when this song came out. Even back then I knew it was an awful pile of garbage. But there’s something about it that has this weird, B-movie vibe to it. Now I actually kind of love it for its kitsch. I love songs and films that are made in earnest that are terrible. I guess that’s why Mystery Science Theater 3000 and Rifftrax are some of my favorite shows. Stuff so bad, it’s good. This is a welcome tune to my list!

Shannon – Henry Gross – 1975

Henry Gross played Woodstock as part of the group Sha Na Na, and he was part of Jim Croce’s band. Sadly his own solo work was going nowhere. But he struck gold with a song about a dead dog. Not just any dead dog. While he was touring with the Beach Boys in 1975, Gross visited Carl Wilson’s house in LA. He mentioned that he owned an Irish Setter called Shannon, Wilson replied that he also had an Irish Setter named Shannon that had recently been killed by a car. That was enough to score a top ten hit and an afterlife when Casey Kasem went on a profanity-laced tirade in 1985 when his producers stuck a long-distance dedication of Shannon right after an up-tempo song by the Pointer Sisters.

If you listen to it you can feel the whole Beach Boys vocal sound in the chorus. The only thing that could make this song worse would be if Mike Love sang it. Not a terrible song, but just a weird subject for a tune. Back then I always thought it was about a girl that had died.

It’s also way too long…

Convoy – CW McCall – 1973

Advertising executive Bill Fries created an award-winning campaign for Old Home Bread, featuring a fictional truck driver named CW McCall. A few years later, at the peak of the CB radio craze, Fries got together with Chip Davis from Mannheim Steamroller and they put together a song that chronicled a CB conversation between Rubber Duck, Pig Pen, and Sod Buster, about a fictional trucker rebellion that drives from the West coast to the East coast of the country without stopping.  The song is mostly dialogue, thick with CB lingo and an annoying earworm chorus, Convoy became a number one hit in 1975, it inspired a major motion picture in 1978 directed by the great Sam Peckinpah and starring Kris Kristofferson Ali McGraw and Ernest Borgnine. I would watch this movie for the laugh.

Kids… that’s the kind of thing that was possible in the ’70s.

Convoy | 1978 | Final | UK One Sheet » The Poster Collector

Look at the body on Kristofferson in this rendering! Lookin’ ripped!

Wildfire – Michael Murphey and the Rio Grande Band – 1975

Murphey and Larry Cansler co-wrote “Wildfire” in 1968, shortly after Murphey emerged as a solo artist. Earlier in the decade, he had been part of a duo known as the Lewis & Clark Expedition (which had appeared and performed in an episode of I Dream of Jeannie) in 1968 with his fellow singer-songwriter Boomer Castleman. When Murphey rerecorded “Wildfire” for a new album in 1997, he was quoted by Billboard as saying that what many consider his signature song “broke my career wide open and, on some level, still keeps it fresh. Because that song appeals to kids and always has, it’s kept my career fresh.”

In a 2008 interview, Murphey talked about the origins of the song and the context in which it was written. He was a third-year student at UCLA, working on a concept album for Kenny Rogers (The Ballad of Calico). The work was demanding, sometimes taking more than twenty hours a day. One night he dreamed the song in its totality, writing it up in a few hours the next morning. He believes the song came to him from a story his grandfather told him when he was a little boy – a prominent Native American legend about a ghost horse. Murphey didn’t have a horse named Wildfire until a few years before the interview when he gave that name to a palomino mare.

The lyrics are those of a homesteader telling the story of a young Nebraska woman said to have died searching for her escaped pony, “Wildfire”, during a blizzard. The homesteader finds himself in a similar situation, doomed in an early winter storm. A hoot owl has perched outside of his window for six days, and the homesteader believes the owl is a sign that the ghost of the young woman is calling for him. He hopes to join her (presumably in heaven) and spend eternity riding Wildfire with her, leaving the difficulties of earthly life behind.

The song is rather famous for its piano intro and outro, which is often left off versions of the song edited for radio. The introduction is based on a piece (Prelude in D-flat, Op. 11 No. 15) by the Russian classical composer Alexander Scriabin.

This song is not annoying or weird. It’s just a really unique story song that was very popular in the mid-70s. It’s kind of sappy, but also sort of beautiful and sad. I like it so I added it to this list.

Muskrat Love – The Captain and Tennille -1976

I really have to hand it to my readers on this one. I was discussing compiling this list with a few of my followers and they sent me some of their favorite weird songs. The Captain and Tennille clearly deserve a spot on this list, but they didn’t go for the obvious choice with “Love Will Keep Us Together” or “Do That to Me One More Time.” No, they wisely went with “Muskrat Love,” by far their hit that’s aged the worst. The song (originally called “Muskrat Candlelight”) was written by obscure country-rock artist Willis Alan Ramsey in 1972.  The band America covered it in 1973, and the Captain and Tennille cut their own version of it in 1976. The song isn’t some sort of analogy. It’s about actual muskrats falling in love. They played it at the White House in 1976 when Queen Elizabeth II came for a visit. It’s unclear why the Ford Administration thought that was a good idea. If they came a year later, Jimmy Carter would have probably pulled in a better act.

If you google pictures of them, Daryl always looks like he’s uncomfortable and doesn’t want to be in any photos with her. I can’t blame him.

Tennille filed for divorce from Dragon in the State of Arizona on January 16, 2014, after 39 years of marriage. Dragon was unaware of the termination of his marriage until he was served with the divorce papers. The divorce documents referenced health insurance or health issues, and Tennille had written on her blog in 2010 that Dragon’s neurological condition, similar to Parkinson’s, known as essential tremor, was characterized by such extreme tremors he could no longer play keyboards. Dragon later stated that some of his health problems were the result of errors in dosing his medication.

In 2016, Toni Tennille, Tennille’s memoir (co-written with niece Caroline Tennille St. Clair) was published. In it, Tennille painted an unflattering picture of Dragon and their years together.

Dragon and Tennille remained close friends until his death from complications of kidney failure on January 2, 2019, in Prescott, Arizona. Tennille was at his side when he died.

I always thought of Toni Tennille as a poser who sang flat with little range. They’re like a bad act you’d see in a hotel lounge in the middle of nowhere. This song is trash and I can’t believe why anyone would focus their songwriting energy on such an odd subject.

On a final note, the weird solo that sounds like little farts is supposed to be Muskrat Love sounds.

It’s just Awful!

I hate her and this song too. She just comes off like the type of person that would be best friends with Kate Gosselin.

You’re Having My Baby – Paul Anka – 1974

Nobody disputes the fact that Paul Anka is brilliant – the man wrote “My Way” for God’s sake. That feat alone earns him a spot on the Songwriters Hall of Fame.  But in the summer of 1974 he released “(You’re) Having My Baby,” an uber-saccharine song about a man overjoyed about the news that his wife is pregnant. The song hit home for a lot of Americans, and it gave Anka his first Number One since 1959’s “Lonely Boy.” It’s aged about as well as a rancid bucket of sweet and sour pork. New life was breathed into the tune in 2009 when it was featured on Glee. Finn sang it to Quinn while having dinner with her parents. At the time, he didn’t know that Puck was the real father and that Quinn’s dad would throw her out of the house after hearing the news.

In 2018, heavy metal singer Glenn Danzig invited Anka onto the main stage at the Wacken Open Air Festival to sing “(You’re) Having My Baby.” Despite not having sung the song live in nearly 40 years, Anka agreed and appeared with Danzig wearing bell-bottom pants and a plaid shirt with a butterfly collar.

Less than thirty seconds into the song, the crowd of roughly 66,000 expressed their disgust with boos and empty beer bottles, forcing the two to stop singing. Unable to quell the crowd with offers of singing “Long Way Back from Hell” and “Do You Wear the Mark” together, Anka and Danzig fled the stage shortly before the frenzied crowd stormed the stage.

“These kids don’t know Anka as I know him,” Danzig later said through tears. “When I first heard ‘You’re Having My Baby,’ I knew that’s what I wanted to do in life.”

Despite the underwhelming catastrophe of the Wacken Open Air Festival, other heavy metal singers have followed suit with Danzig’s idea. Paul Anka is currently collaborating with thrash-metal band Slayer and an album is due in stores during the summer of 2021.

Watch the performance. Notice how Paul is up on stage singing it by himself? Odia Coates the woman who sings the duet with him isn’t with him on stage. She’s sitting on a bench at the piano. Was a white man and a black woman standing next to each other on stage singing about how he’s so happy he got her pregnant and she’s keeping their mixed-race baby, too controversial for 1974? I don’t know. Just sayin’…

My mother hated this song and so did I. My mother appreciated good music and couldn’t understand why someone would write a song like this. If you listen to the song you’ll hear how gross this song really is. “You could have swept it from your life, but you didn’t do it.” Nice Roe vs. Wade reference, Paul.

Ugh!

Watching Scotty Grow – Bobby Goldsboro – 1970

is a song written by country music singer-songwriter Mac Davis and recorded by Bobby Goldsboro in 1970 on his album, We Gotta Start Lovin. Davis recorded his version on his 1972 album, I Believe in Music.

This song deals with a father witnessing the activities of his son growing up, while the father does his usual laid-back adult activities. The phrase, “that’s my boy” is used in all 3 verses. One of the verses, “Mickey Mouse says thirteen o’clock,” refers to the Mickey Mouse watches which were popular at the time.

Who the hell told Bobby Goldsboro that this was a good haircut? It looks like a fur helmet. But I digress. I hate this song. It’s so sappy. The lyrics just make me want to puke. If my handlers asked me to record a song like this I would have quit the music business.

 

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Tales of Rock -The Best Band You Never Heard – Fields of The Nephilim

I have loved this band since the late 80s! Really dark, gothic rock. 

https://en.wikipedia.org/wiki/Fields_of_the_Nephilim

 

 

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