Tales of Rock -10 Greatest Rock Documentaries You Need To See

Few areas of life lend themselves better to the documentary format than music. The life of a rock star is undeniably fascinating: alien to the likes of you and I, a little scary at times, but undeniably desirable. They do and say outrageous things, they perform before baying crowds, they often end up doing something out of order – what’s not to love?

There are rock docs, though, and there are rock docs. These days everything merits a camera presence – an album launch, a tune on a film soundtrack, a tour which needs that little extra oomph to get it over the line. Candid footage is commonplace these days.

Some docs, though, will stand the test of time and have cemented themselves as classics not just of the subgenre, but of non-fiction film full stop. A good rock doc can capture a time and a place, shifts in society as well as the inner thoughts of some of the culture’s greatest icons. They’re a window not just into the stars themselves, but the worlds they inhabit and sometimes affect.

And if they’ve got a whole bunch of smashing tunes, well, that’s just an added bonus.

10. Amy

Altitude Film Distribution

 

The tragic tale of Amy Winehouse is hardly a new one in the music business – star after promising star has succumbed to the temptations of substances and the pressures of fame. Few have done so as publicly as Winehouse, however, whose 2011 death felt at the same time heartbreaking and somewhat inevitable.

Asif Kapadia’s documentary is a sensitively made look into the life of a star who looked like she could be one of Britain’s best in many years (and perhaps, even in such a short time, still was). It takes a simple biographical approach, but crucially builds a deeper image of Winehouse than the troubled and self-destructive hellraiser of her public profile. She was all those things, of course, but there was far more to her than that, as the tremendously affecting interviews with her family and close friends go to show.

For Winehouse novices, the film provides a great life and career retrospective that ably demonstrates why she’s so beloved; for those already enamored with the late singer, there’s great early and rare footage of a woman who wasn’t around for long but left an indelible mark on modern music.

9. One More Time With Feeling

This isn’t a watch for a cheery night in. The death of Nick Cave’s son in 2015 came after the majority of his 2016 album Skeleton Tree had been written, but he was yet to step into the studio with his band The Bad Seeds.

Naturally, the loss cast a shadow on the entire production. Rather than subject himself to press junkets and interviews, Cave and Andrew Dominick collaborated on the masterful One More Time With Feeling, through which the singer could explore and explain his grief, as well as give fans a sneak preview of the upcoming record. Skeleton Tree’s sparse, haunting songs made their debut in the gorgeously shot black and white film, and they capture their singer’s feelings of distress, emptiness, and ultimately hope, better than words ever could. Cave doesn’t spill his guts to the camera, but the performances, weary yet driven and brilliant, tell us all we need to know.

It’s one for the fans primarily, but the lush camerawork, beautiful music, and terrible but universal story can appeal to a far wider audience. It’s an exercise in grief, but a wonderful and strangely uplifting film, too.

8. Amazing Grace

AP/AP

Blessed with one of the greatest voices music ever produced, Aretha Franklin’s legacy was guaranteed long before she was immortalized in this 2018 film (shot in 1972, but held up by legal proceedings until shortly after her death). Sydney Pollack’s Amazing Grace is a masterfully made concert film and a gift for a younger generation who can appreciate the power of Franklin’s awe-inspiring talents the way an audience should.

Backed up by a community choir, Amazing Grace is a testament to the healing powers of song and faith. You don’t need to sit Franklin down and interview her to get to the heart of the woman. You simply need to watch her perform and listen to her sing. At this time especially, her voice is astonishing and appears effortless. Her early life was far from easy, and she has spoken previously of the release music gave her; Amazing Grace is her opportunity to give that back to the world.

There will be others who can sing with the same technical proficiency or range or control as Franklin, but it’s hard to imagine there will be many if any who can access so naturally the purity of emotion that Pollack unobtrusively captures in Amazing Grace.

7. The Ecstasy of Wilko Johnson

HBO

An underrated figure in UK rock, Wilko Johnson was the guitarist for pioneering pub rock act Dr Feelgood. With his distinctly aggressive playing style and imposing physical presence (he played Ilyn Payne in the first few seasons of Game Of Thrones), he was hugely influential, a trailblazer.

When he was diagnosed with terminal cancer, this was unsurprisingly an eye-opener for the taciturn axeman, and he allowed Julian Temple, key documenter of UK punk, to chart his final days. Johnson faces his mortality with trademark humor and an admirable calm, reflecting on his life and his achievements, and concluding it time well spent. He embarks on a goodbye tour, rocking venues like old times, bringing together friends and collaborators to say farewell to fans and well-wishers the only way he knows how.

Then, the twist – the cancer which seemed so final suddenly goes into remission, and Wilko is given another chance – more time than he knows what to do with. The film celebrates life in all its forms, but it’s clear that Johnson will go on rocking and creating until the real final curtain.

6. The Decline Of Western Civilization Part 2

New Line Cinema

The first film in the Decline series was a relatively serious look at the often-po-faced world of hardcore punk. For the follow-up, director Penelope Spheeris cast an eye on the hair metal scene of 1980s LA, where things were a little wilder.

The documentary is a riotous look at acts famous and otherwise, from the heavyweights of the rock and metal scene to upstart bands hoping to make it as big as their idols (spoiler: none of them do). Highlights include Ozzy Osbourne making a colossal mess in his kitchen as he concentrates more on his anecdote than pouring juice into a glass, and Chris Holmes from W.A.S.P, who floats around his pool drunk off his head while his disapproving mother watches on. They put on a brave face, the folks of the scene, but many are stricken with sadness (others still are outright creeps).

While there’s the suggestion that elements of the film are a put-on, Spheeris captures an accurate portrait of one of music’s most indulgent and tacky scenes. Everyone involved is keen to show just how rock ‘n’ roll they are, and to one end up making prize fools of themselves in the process.

5. Beware Of Mr. Baker

SnagFilms

Cream drummer Ginger Baker died in 2019, and while his passing is a great blow to the world of rock and jazz, after watching this captivating documentary, you’ll be amazed a man so gnarly was even capable of death.

Director Jay Bulger traces Baker’s musical journey from South London to South Africa, where he now lives on an imposing compound. Baker’s career is a remarkable one, having pioneered a jazz/rock fusion style with Cream, traveled to Africa to drum with Fela Kuti, and kicked and taken up heroin enough times to kill most ordinary men. Ordinary Baker most definitely is not, though: he is a fascinating but utterly cantankerous individual, ultimately clashing with and physically assaulting Bulger after a line of questioning is not to his liking.

The man lived hard and fast and achieved an incredible amount, and it’s great that his life story was aired in such an engaging piece of work. Formally inventive and ever engaging, this is proof if proof be needed that the devil has the best tunes.

4. 20 Feet From Stardom

RADiUS-TWC

A celebration of some of the music business’ unsung heroes, 20 Feet From Stardom is all about putting a name to the voices you’ve heard so many times, as Morgan Neville’s Oscar-winning doc digs into the world of backing singers.

Featuring the likes of Darlene Love, Merry Clayton, and other incredible performers whose names you may not know but whose vocals you’ve certainly danced to, 20 Feet From Stardom is a melancholic look at a business that can be so rewarding, and so frustrating, all at the same time. There are incredible anecdotes from those on the periphery of the world’s biggest rockstars, and superb performances, like Clayton’s isolated vocal track from the Stones’ “Gimme Shelter”. Many of those interviewed are jobbing musicians who accept their status, but it can’t help but feel cruel that their contributions so often go uncelebrated.

With talking heads from bonafide A-listers like Bruce Springsteen, this is a star-studded production, but more than anything else it’ll give you an appreciation of the sheer physical graft that goes into the singing business. You may just be harmonizing on a chorus, but it’ll take it out of you.

3. Gimme Shelter

20th Century Fox

An era-defining documentary, this still-harrowing film captures The Rolling Stones at their world-conquering finest as they tour their incredible run of records between the late ‘60s and early ‘70s. It also pinpoints the moment the hippy dream died and something altogether more sinister settled into American counterculture.

Gimme Shelter serves as a concert film for a band who, at the time, may have been the world’s greatest. This ultimately pales into insignificance, however. The documentary is most famous for its recordings of the Stones’ 1969 concert at the Altamont Speedway, during which 18-year-old Meredith Hunter was fatally stabbed to death by a member of the Hell’s Angels, who the UK rockers had hired as their tour security. Co-directors Albert and David Maysles and Charlotte Zwerin adopt a hands-off approach to their film making, simply observing the chaos that unfolds as a peaceful scene turns ugly.

The ‘60s ended literally and metaphorically around the time of Altamont, but if there are lessons to be learned, it’s a stroke of luck that there was a camera there to record the destruction.

2. Don’t Look Back

Leacock-Pennebaker, Inc.

D. A. Pennebaker’s 1967 masterpiece invented the rock doc and the myth of Bob Dylan in one fell swoop. Following the Nobel prize-winning songwriter on his 1965 UK tour, the documentary was one of the first opportunities an audience had to watch a rock star simply exist in his natural environment.

As a subject, Dylan couldn’t have been much better. He is riding the crest of a wave, writing and playing some of the best music of his career, and coming to the tumultuous end of his relationship with Joan Baez. He is captivating but unprecious with his public image: indeed there are moments in which he acts like a real jerk, one-upping Donovan with a bravura performance just because he can, and needlessly abusing a poor jobbing journalist. The opening scenes serve as a music video for the track Subterranean Homesick Blues, another of the film’s groundbreaking moments.

Dylan has been documented and hagiographed half to death by now, but Pennebaker’s passive camera catches him in the flesh, and at a pivotal point of an incredible career. Taking aside all it influenced, it remains a superb piece of work.

1. Dig!

Interloper Films

A friendly rivalry turns into an all-out indie war in Ondi Timoner’s wild documentary. The director shot over 10,000 hours of footage as two upstart bands, The Dandy Warhols and The Brian Jonestown Massacre, came up together before dramatically falling apart.

The narrative comes down to jealousy, as the Massacre, arguably the better band, stew over their former friends’ sudden burst of success. Petty swipes turn to open hostilities as one band rises and the other turns in on itself. The subjects are fascinating, most notably Massacre frontman Anton Newcombe, whose musical talent is outstripped by his self-destructive street. He has the aura of a cult leader but the temperament of a stroppy child, and slowly alienates those around him and blows chance after chance at the big time.

Musicians from either camp have refuted the realism of the finished product, but that hardly matters when the documentary is this outrageously entertaining. Dig! may not hit as heavy as some other acclaimed rock docs, but few films can match the uproarious fun – and killer tunes – of this bonkers film.

 

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. I publish every day.

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18 Sexy Movies On Netflix For Couples To Watch On Date Night

Netflix isn’t just for marathoning New York-set comic book adaptations and cherry-picking the most comforting episodes of your favorite sitcoms. The streaming service also has a nice cache of romantic movies that drift towards the sensual. So when you’re spending an evening in with your significant other, there’s no reason to look to outlets that specialize in that kind of thing. Netflix subscribers can access lots of sexy films — some unrated — with just their regular monthly membership fee. But since some of these movies are foreign-made, independent, or otherwise off-the-beaten-path, you may not come across them while casually browsing. So here’s a helpful primer of 18 dirty movies on Netflix that couples can watch on date night.

You may have seen a few of these movies already. Some were major theatrical releases; others are critically acclaimed. But I hope you’ll find some hidden treasure in this list of psychological dramas, hotter-than-average romantic comedies, and pleasantly silly erotic thrillers. With these movies, you and your partner can lose yourself in another romance for a while, experience something new together, and ideally be inspired to get creative and stay connected. You could watch these 18 Netflix movies alone, but wouldn’t it be more fun if you had some company?

1. Y Tu Mama Tambien

Childhood friends Gael Garcia Bernal and Diego Luna broke out in this life-affirming road movie about two bros who take a trip with a mysterious older woman and end up shattering the boundaries between them.

2. Nymphomaniac, Volume 1

This Lars Von Trier sex odyssey is not for the faint of heart and probably requires a pre-game talk to make sure that both of you are on board with what you’re about to see.

3. Nymphomaniac, Volume 2

Ditto on this second installment, which continues the story of the first. The director’s work is an acquired — or, in some cases, never acquired — taste, so if you weren’t down with Volume 1, Volume 2 will just give you more of the same.

4. Last Night

Kiera Knightley and Sam Worthington have a blissful marriage in this romantic drama by writer/director Massy Tadjedin. But they learn the limits of their happiness when they each have the opportunity for an extramarital tryst. Eva Mendes and Guillaume Canet costar.

5. Clouds Of Sils Maria

Kristen Stewart is the assistant managing the charged rivalry between an aging beauty (Juliette Binoche) and the ingenue threatening to replace her (Chloe Grace Moretz). The sexual tension is palpable across all three of them.

6. Blue Is The Warmest Color

Infamous for its lengthy and realistic sex scenes, Blue Is The Warmest Color is also a touching and troubling story about all-consuming first love. Léa Seydoux and Adèle Exarchopoulos were both celebrated for their performances and the film won the coveted Palme d’Or at Cannes.

7. Newness

Like Crazy filmmaker, Drake Doremus brings his dreamy style to a feature about apps, hookup culture, open relationships, and the millennial pressure to want to participate in all of those things. Nichola Coult and Laia Costa lead the 2017 film.

8. Ibiza

This Netflix original comedy about three girlfriends who take a trip to Spain includes a sexy romantic subplot between Harper (Gillian Jacobs) and a hot DJ played by Richard “King in the North” Madden.

9. Love

Gaspar Noé’s erotic drama isn’t particularly positive or heartwarming, but it has sensuality in spades as one man remembers his rollercoaster relationship with the love he lost.

10. You Get Me

This trailer about badly behaving teens (including Bella Thorne and Halston Sage) features lots of partner switching, lies, and artfully constructed drama. And pools!

11. Indiscretion

This erotic TV thriller isn’t good, by any means, but sexual obsession and a forbidden tryst add some excitement. If you’re not necessarily looking for a compelling plot, this will do the trick.

12. Below Her Mouth

Despite boasting an all-female crew, this sexually-charged drama about a same-sex affair has only a 22% aggregate rating on Rotten Tomatoes. Those less-than-great reviews include descriptions like “an undeniably steamy effort” and “sexually frank,” so at least you know what you’re getting.

13. God’s Own Country

A British sheep farmer and a Romanian migrant worker find a connection against the stark backdrop of a farm in this Sundance breakout by first-time feature director Francis Lee.

14. Palm Trees In The Snow

There’s nothing like a long, weepy, bodice-ripping historical drama to put you in the mood. (If you’re still awake by the end of it.)

15. Bull Durham

Whether you’re into baseball or not, you’ll be seduced by this very sexy rom-com about a love triangle between a rookie (Tim Robbins), the catcher who’s supposed to get him up to speed (Kevin Costner), and a super-fan (Susan Sarandon)

16. Blue Valentine

While, yes, you do have to watch the relationship between Michelle Williams’ and Ryan Gosling’s characters implode, you also get to watch the start of it, when their chemistry overwhelmed and no problem seemed too big to overcome.

17. Ex Machina

The literal self-actualization of the femme A.I. played by Alicia Vikander is very sexy, as she blows past her creator’s hope for her and takes control of her life. As man-made as it is, it can’t stay that way.

18. Duck Butter

Two women played by Alia Shawkat and Laia Costa (on the list for a second time) decide to test their instant chemistry by having sex every hour, on the hour, for a full day. Will it push their relationship to the next level, the way they hope?

And that’s your next 18 date nights planned. The couple that streams together stays together.

 

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. I publish every day.

You can check out my books here: https://www.amazon.com/s?k=charles+wiedenmann&ref=nb_sb_noss_1

Cherie – Chapter 5 – Be Careful What You Wish For – Part I

Don’t be a guy.

Be a man.

Saturday arrived. I woke up relatively early. Philly had periods of showers but the rain was supposed to stop around 1pm, so that was good. I didn’t want another rainy day date with Cherie. But actually I was looking forward to seeing her so the weather didn’t really matter.

I stopped by the salon to drop off some detergent and bring my friend Trish some fives for the register. She was hung over from a night of Jameson at Tattooed Mom’s with her friends on South Street. She stopped drinking alcohol about a year ago, because she said she didn’t like how she behaved on it. Said it made her angry. Trish is angry anyway and I can only imagine what a nightmare she is on booze. That’s probably part of the reason she can’t function without smoking marijuana everyday and drinking oceans of coffee just to get through the day. I’ll be writing a chapter about her in the near future but for now I’ll stick to the events of today.

I give Trish the fives and she hands me a twenty out of the register. I’m walking across the lobby to take a seat and chat with her for a bit when she says. You have a hole in the back of your pants. I’m like, “Stop checking out my sweet ass.”

“Seriously dude. You have a huge hole in your pants. Don’t you feel that?”

I reach back and sure enough, there is a pretty good-sized hole there.

“I didn’t want you going out on your date today with a big old hole in your pants, dude.”

I joke that maybe I could guide Cherie’s hand to it in the movie theater for some cheap thrills.

“It’s the 3rd date!”

“I hate that shit!”

I tell her I agree. I don’t know if you all know this but a lot of young people are under the impression that the 3rd date equals sex. Which I find stupid. In all seriousness I would rather get to know someone and if there is a mutual attraction, the sex should just happen as a celebration at some point. There should never be a deadline related to intercourse. That almost sounds predatory.

So I head back to my apartment to put on another pair of jeans. I grab a pair and realize I haven’t worn them in a while. Like two years. They are a 36 waist. I now wear a 32 waist, but can do a 34 with a belt. They’re just too big and I look ridiculous. I grab another pair. Another hole in the seat. What’s going on here? Did I wear out the seat of two pair of jeans? I know I see the occasional mouse here in the building but what sort of butt munching rodents do we have around here?

I find a pair that are in decent shape with no holes in the seat, and put them on. This will have to do. I go downstairs and summon an UBER. While driving down to Columbus Boulevard to the multiplex, I chat with my driver, Hanna. She asks me what movie I’m going to see. I tell her the lady I’m taking likes scary movies, so we’re seeing, ‘Ouija: Origin of Evil.’ Some how she gathers from our conversation that my date is younger than me. She asks, and I tell her she’s a little younger. She tells me about a male friend of hers, who is 50 something and was dating a woman in her 40’s and just wasn’t happy. He said that women his age were all carrying all the same baggage. He’s now dating a woman around 30 and says that younger women are just more fun. I say that I agree, but when you date younger women they all eventually want to get married and have kids.  She says that her friend is always up front about that sort of thing. Maybe I should have been clear about that in my last 3 failed relationships. And here I am being driven to what could possibly be a 4th similar destination.

She lets me out and I go into the lobby and get in line for tickets. The movie starts at 1:50 and it is now 1:30. I get the tickets and as I turn to wait for Cherie, she appears. On time. Early. I like that. It’s really nice to see her. Even though it’s only been four days since our last encounter.

Her hair is up in a bun, exposing her lovely slender neck. makes me think about how I kissed that neck on Tuesday. She’s wearing a yellow blouse, and light brown slacks. They cling to her shapely legs.

We are about to enter our auditorium and we notice the floor is really sticky. Someone must have spilled a soda there, and they tried to mop it up but didn’t get it all up. Now I’ve been to plenty of movie theaters in my time, and have jokes about the sticky stuff and detritus that is on the floor of the theaters, but this was really sticky. I had to laugh out loud. I practically had to curl my toes to keep my shoes from being pulled off by that sticky floor. Just a classic ‘out at the movies’ moment.

We go in and decide that we both like to sit in the back of the theater. I ask her if she wants anything to eat. I suggest some delicious buttery popcorn. She says it’s ok but doesn’t like how it can stick in your teeth. She says she likes chocolate, but not dark chocolate. I tell her I love dark chocolate. She smiles and knows what I mean. I really do prefer dark chocolate to milk chocolate, but I also love the color of her skin. I go and mortgage my house at the concession stand on exorbitantly expensive snacks. Medium popcorn, medium cherry coke, bottle of water, and a bag of snickers minis for baby. $21. The food was as much as the tickets. The kid behind the counter even told me I could upgrade to a large popcorn and a large soda for $.50 more. I compliment him on his up-sell, but politely decline.

I get back to Cherie. I get all of our snacks and drinks squared away and sit down. “How did you know I loved Snickers?” she asks. “Well I’m funny and you like to laugh, so I figured, Snickers. she smiles and we settle into the previews. There aren’t many people in the theater. I like that. There’s also no late arrivals and no one is sitting in front of us. I love that as well. People are getting seated and chattering a little but that’s acceptable during the previews. We’re whispering closely. Then we kiss. It’s really nice. I feel like a teenager. I haven’t smooched in a movie theater in years. It was so sweet to hold hands too. She rubbed my arm and caressed my hand, and I was even so bold as to rub her leg and knee. It was all very gentle and romantic. What a refreshing difference from the crap women I went on dates with a few months ago. But I’m really enjoying this elegant romantic odyssey.

There is one rub that I have to mention. It’s happened a few times since then. We call it the C-Block, or the CBs. Cherie and I are in the very back row of the theater. All the way in the aisle to the right against the wall. There is only one way out. Doesn’t some pair of fucknuts sit at the very end of the aisle? This couple just sort of drops it there. One row down would have been fine. But they are right now, in OUR aisle. They could have sat anywhere. There weren’t that many people in the theater. It’s just a human thing. Homo Sapiens are such social animals they have to be together all the time. I can tell Cherie doesn’t want them there and neither do I. But there’s nothing we can do. Nothing but make a bunch of trips to the snack bar and the bathrooms. This way we can thrust our delicious firm buttocks right in their stupid faces.

Oh, never mind. It’s just annoying, we just wanted some private time to neck in the back of the theater!

The movie was a pretty by the numbers horror flick. I’d give it a solid three and a half stars. Demon possession, scary children, and good sudden frights do make you jump. We shared the popcorn and the candy. It was lovely. I was happy to be there sharing this Halloween treat with her.

After the film, we went outside. The sun was out and the rain was gone. It had been warm during the week, but had suddenly turned chilly in the last couple of days. Cherie always has trouble finding a place to park in the city, but down by the movie theater there is always loads of parking spots. We walk over to her Saab, and hop in to get out of the chill. We’re chatting about our next move, (which I have already planned) and more kissing ensues. She tells me she was hoping I would agree to sit in the back of the theater so we could neck. It appears this girl really likes me. She says she likes how soft my hands are. It makes me think of Captain Quint when he grabs Matt Hooper’s hands in the film Jaws, and says “You’ve got city hands, Mr. Hooper, from counting money all your life!” That, and the scene in Steinbeck’s “Of Mice and Men” when one of the men on the farm puts petroleum jelly in his one glove to keep is hand soft for when he touches his woman. I don’t know why my mind flashed to those two images but for a moment they do.

I suggest we go over to Dave and Buster’s to go play games together. She likes the idea. I will say this about my lovely neuroscience major. She is very bright and quick of wit, but extremely laid back and easy-going. She’s from California, and this chick is chill. I always compliment her about her sweet disposition, because I really like that about her. Peaceful is good. She tells me, that between her two jobs, going to class, and taking care of her son, she has to make many decisions every day. She says she likes how I take charge, and just tell her where we’re going and what time it’s happening. I always have a plan and take the lead. She finds that attractive. So take note male readers, many women like to be told what you’re doing with them and where you’re taking them. Women are great negotiators and communicators, but when it comes to picking a lunch spot, just tell them pizza or sushi or just take them somewhere they serve different stuff and go. I have to give thanks here to my late father in regard to the clock. If he told you something was going to happen, or we were going to be somewhere at a specific time, it happened without error. He taught me that your word is your bond, and always be punctual. Like Beau Bridges says to Michelle Pfieffer in The Fabulous Baker Boys, “Punctuality is the first rule of show business.” Life itself is like a giant long series. You’re the star of your own show. Make it a fun, exciting show if you can. To sum up: Girls like a take-charge man.

Don’t be a guy.

Be a man.

 

 

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. I publish every day at 8am EST.

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Tales of Rock – David Bowie Thinks Witches Are Stealing His Semen

In fall 1975, David Bowie went into the studio in Los Angeles and made Station To Station, one of the best albums of his career. It saw him transition from playing conventional if fantastic rock and roll to recording a series of genre-bending masterpieces that set a template for ’80s pop and whose influence is still being felt decades later. Pretty impressive, considering he was doing so much coke at the time he later couldn’t remember recording the album at all.

According to David Buckley, the author of the book “Strange Fascination: David Bowie: The Definitive Story,” Bowie’s diet at the time consisted of cocaine, peppers and milk, and he lived in “a state of psychic terror.” Interviews published in Playboy and Rolling Stone depicted Bowie surrounding himself with burning black candles and Egyptian artifacts and believing that bodies were floating past his window, witches were stealing his semen and that the Rolling Stones were sending him secret messages. He lived in fear of Led Zeppelin guitarist Jimmy Page, owing to his supposed practice of witchcraft. In Station To Station‘s title track, Bowie yelped, “It’s not the side effects of the cocaine; I’m thinking that it must be love,” which was definitely the wrong diagnosis.

If Bowie wanted to clean up after this album, he made the wrong move by decamping to Berlin with Iggy Pop. Still, the trio of albums he recorded during this period—Low, Heroes and Lodger—honed his legacy. This trilogy along with Station To Station was cherry-picked to create a perfect soundtrack for Christiane F. We Children from Bahnhof Zoo, a German film released in 1981 that captured the harrowing lives of teenage junkies in West Berlin.

Check it out. I saw it at a midnight showing in LA in 1982. It’s great!

 

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. I publish every Monday, Tuesday & Wednesday at 8am EST.

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