The Weirdest, Creepiest and Most Annoying Songs of the 70’s – Part 8

If you were like me in the 1970’s you listened to top 40 radio most of the time. You heard a lot of great songs and instant classics. But among them were many unforgettable songs that were just weird or strange. I’ve tried from memory to remember the ones that stand out in my mind.

For weird reasons they became hits. They either made no sense or having any musical merit. Just a bizarre era of story songs.

Of course, this stuff is all pretty subjective but I did have a few criteria for what should be here. I decided to include a song if it:

    • made me sick without even listening to it again
    • made me want to break my radio
    • made my stomach turn
    • brought out violent thoughts of hatred, revenge, etc.
    • reminded me how lame the radio and record companies are
    • could make me want to break my stereo
    • would make me leave a bar or club if they started playing it
    • would make me boo a band who started playing it
    • suspended my belief in a divine force that governs the universe
I’m not saying that there weren’t ANY good songs during the 70s but there was just a truck-load of waste back then. If anybody’s stupid enough to think that ALL disco sucks, remember that it’s just a bastard son of rhythm & blues just like rock’n’roll is- so they’re related, see? Also, the 1970’s definitely didn’t have a monopoly on shitty music- there was tons of crap unleashed on us in the decade before and after and now also (there’s a future article there somewhere). Clothes-pin anyone?

The 70’s was an interesting time for music. There was a lot of experimentation and creativity from that decade, but there was also plenty of crap as well. Here is my list of the worst and most irritating songs of the 70’s.

 

Feelings – Morris Albert – 1975

Thankfully, Morris Albert has no incredibly sad story and famous offspring that will make you regret listening to his song. He’s just the singer of an incredibly, stunningly crappy song. “Feelings” has been mocked and reviled for a good 45 years, largely for the lack of specificity in the lyrics. What kind of feelings is Morris singing about? It’s clearly a love song, but it’s hard to think of a more vague term than “feelings” to describe, um, feelings. Albert maintains a following in his native Brazil, but he hasn’t had much success in America since he shared his “Feelings” with us back in 1975. If you wonder why punk had to happen, listen to this song.

It’s about a noun. It could have been written by a suicidal 14-year-old submitting to her high-school literary magazine in a last-ditch attempt to garner sympathy from the would-be lover who spurned her in front of everyone in the cafeteria. Feelings? Whoa whoa whoa, feelings.

I think we all felt the nausea of this song in 1975. I remember one of the neighbor’s girls said the following words to my sister. “Let’s sing…Feelings.” My sister quietly declined the offer because she had just eaten.

I remember when the song would come on a friend of mine would mock the lyrics. “Fuelings… Mid-Air… Refuelings.”

Aerial refueling - Wikipedia

Excuse me… I have to go throw up in a bucket.

Seasons In The Sun – Terry Jacks – 1974

I really have it out for mid-1970s soft rock. This one is another song about a tragedy. “Billy Don’t Be A Hero” is about a woman begging her boyfriend to be safe while fighting the Civil War, and Terry Jacks’ 1974 mega-hit is about a dying person saying goodbye to his loved ones. The song was written by poet Rod McKuen in the early 1960s and first made a hit by Belgian singer Jacques Brel in 1961. The version by Terry Jacks hit Number One around the world in 1974, but Jacks largely retired from music just a few years later.

 Terry Jacks “Seasons in the Sun” hit #1 for three weeks in 1974, making 1974 perhaps the worst year ever for popular music. In fact, out of all of the songs on this list, 12 of them peaked in airplay during 1974, 10 of which reached the #1 spot on the Billboard chart. 1974 was such a hideous year for music that popular radio station WLS in Chicago dropped their weekly ranking of their 40 top songs down to a weekly ranking of only 15 records per week. Still, even with only 15 records, most of them were virtually unlistenable, as in this example.

Ugh… this song makes me want to eat a bullet.

The Streak – Ray Stevens – 1974

Ray Stevens was actually a talented songwriter, producer, and music executive with a dark side. In spite of his obvious talent, he insisted on writing and recording distinctly offensive or idiotic low-brow novelty songs for most of his career, including “Ahab the Arab” (“humorously” pronounced “Aay-rabb”—get it?), “Guitarzan,” and “Harry The Hairy Ape.” In 1969, Stevens became a regular on The Andy Williams Show, and in the summer of 1970, he got his own summer replacement show, The Ray Stevens Show. “The Streak” played on the 1970s prank of running naked through a public place. Released in late March 1974, the song hit #1 on the Billboard charts for three weeks in May 1974, and its insidious presence was all but inescapable for most of the American public.

I’m ashamed of all popular radio in the 70s at this point.

Have You Never Been Mellow – Olivia Newton-John – 1975

I couldn’t decide between this song and her other horrible hits of the ’70s (“I Honestly Love You,” “Hopelessly Devoted to You,” and “With a Little More Love”), but in the end, the title question itself is what put it over the top.

Olivia Newton-John | Olivia newton john, Hottest female celebrities, Female singers

I’ve always loved ONJ as a woman and as a songbird. I probably only like the actress Susan George because she reminds me of ONJ. She always had such a lovely light feminine voice. Who can forget her enormous hit, Physical? I bought that album. I loved her then and I love her now. But this stuff from her early career is just so sugary, I need an insulin shot after listening to any of them.

Escape (Pina Colada Song) – Rupert Holmes – 1979

This is the one song on the list that some people might actually appreciate on some level. Holmes was inspired to write “Escape (The Pina Colada Song)” when he saw a want ad in the paper. He wondered what would happen if he responded to it, only to discover it had been placed by his own wife. The lyrics originally went “If you like Humphrey Bogart,” at the last minute he changed it to “Pina Coladas,” a drink he didn’t even particularly enjoy. The couple in the song both agree to meet at O’Malleys Bar and don’t seem all that miffed to discover they were both trying to cheat on each other. Instead, they discover they both love Pina Coladas, being caught in the rain, and making love at midnight. It’s like a modern-day, O. Henry story. Maybe those should be called O’Malley stories now.  Holmes had another hit in 1980 with “Him,” but after that, his pop career pretty much went into the trash. He’s had far more success in recent years as a playwright.

I love his wardrobe choice for this video. Really dude? You had nothing else to wear? It looks like you just came from Sunday brunch. His stage presence is awful. I saw better choreography during the Lee Harvey Oswald prison transfer.

But I digress…

It’s also fun to watch him gingerly descend the stairs on set.

You Light Up My Life – Debby Boone- 1977

How many weddings in the late ’70s was this steaming pile of garbage played at? (All of them?)

You don’t hear it much these days, but “You Light Up My Life” was actually the single biggest song of the 1970s. It spent 10 weeks at Number One, a record not beaten until 1991 when Boyz II Men stayed on top for 13 weeks in 1991. The song was written as a love song, but Pat Boone’s daughter Debby always interpreted it as a song about her devotion to God. The song was written by Joe Brooks, who was arrested in 2009 on charges that he lured 11 women to his apartment with the promise of a movie audition, and then sexually assaulted them. He committed suicide before the case went to trial. Around the same time, this was all going down, his son Nicholas was arrested for murdering his girlfriend. The New York tabloids had a field day with the two cases. Knowing all that, it’s hard to listen to the song in quite the same way. It just goes to show that you can write the biggest hit of the 70s and still go out and do some vile stuff.

We already hate the song, and now because of what I wrote above, we can all hate it even more!

The Morning After – Maureen McGovern – 1972

This was featured as a song on the doomed ocean liner in the film The Poseidon Adventure, Maureen McGovern’s schlocktacular effort (penned by 20th Century Fox songwriting hacks Al Kasha and Joel Hirschhorn) was released a year after the film and climbed to #1 for two weeks in August 1974. The song won best original song Academy Award and led the trio to team up again for another Oscar-winning debacle, “We May Never Love Like This Again,” in 1974’s The Towering Inferno. Few efforts better encapsulate the way that musical expression and creativity were cynically packaged for commercial consumption throughout most of the 1970s.

Kill me now!

Me and You and a dog named Boo – Lobo – 1971

This is the 1971 debut single by Lobo. Written by Lobo under his real name Kent LaVoie, it appears on the Introducing Lobo album.

The single peaked at #5 on the Hot 100 and was the first of four of his songs to hit #1 on the Easy Listening chart, where it had a two-week stay at that top spot in May 1971. The song also reached #4 in the UK Singles Chart in July 1971 and spent four weeks at #1 in New Zealand. 

Internationally, “Me and You and a Dog Named Boo” was Lobo’s second most successful song among more than 15 single releases, surpassed only by “I’d Love You to Want Me” the following year. (More trash)

Like Bobby Goldsboro, Lobo has the same ridiculous haircut. It’s just awful. Hair helmet! It doesn’t even look real!

I’d knock over an elderly lady in a walker to get to the radio to turn this crap off. England Dan and John Ford Coley, I’m not.

 

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The Weirdest, Creepiest and Most Annoying Songs of the 70’s – Part – 5

If you were like me in the 1970’s you listened to top 40 radio most of the time. You heard a lot of great songs and instant classics. But among them were many unforgettable songs that were just weird or strange. I’ve tried from memory to remember the ones that stand out in my mind.

For weird reasons they became hits. They either made no sense or having any musical merit. Just a bizarre era of story songs.

Of course, this stuff is all pretty subjective but I did have a few criteria for what should be here. I decided to include a song if it:

    • made me sick without even listening to it again
    • made me want to break my radio
    • made my stomach turn
    • brought out violent thoughts of hatred, revenge, etc.
    • reminded me how lame the radio and record companies are
    • could make me want to break my stereo
    • would make me leave a bar or club if they started playing it
    • would make me boo a band who started playing it
    • suspended my belief in a divine force that governs the universe
I’m not saying that there weren’t ANY good songs during the 70s but there was just a truck-load of waste back then. If anybody’s stupid enough to think that ALL disco sucks, remember that it’s just a bastard son of rhythm & blues just like rock’n’roll is- so they’re related, see? Also, the 1970s definitely didn’t have a monopoly on shitty music- there was tons of crap unleashed on us in the decade before and after and now also (there’s a future article there somewhere). Clothes-pin anyone?

The 70’s was an interesting time for music. There was a lot of experimentation and creativity from that decade, but there was also plenty of crap as well. Here is my list of the worst and most irritating songs of the 70’s.

 

The Jaggerz – The Rapper – 1970

The Rapper” is a song by The Jaggerz, written by band member Dominic Ierace, better known as Donnie Iris. Released as a single, it reached No. 2 on the Billboard Pop Singles chart, behind Simon & Garfunkel‘s smash “Bridge Over Troubled Water” and it was certified Gold by the RIAA in 1970 (see 1970 in music) for selling over a million copies. (Iris later launched a solo career; his biggest hit was “Ah! Leah!“)

The song is addressed to a girl or girls in general; it describes the method of a man who seduces women with untruths (“rapping”.) The singer says, “You know what he’s after”; he concludes by saying there comes a point at which the man has his target where he wants her. The girl has to “face reality.” The record ends with a small group of applause heard in the studio. (Which is probably the only applause this tune ever got!)

The “rapper” of the title and “rappin'” in the lyrics have only some coincidental resemblance to the vocal style of rapping.

It resembles something to be flushed.

Ray Stevens – Everything is Beautiful – 1970

If there’s any song from the past that epitomizes shooting for the stars and failing miserably, it’s this one. Ray Stevens, a guy known for unfunny comedy songs, decided to get serious and made Everything Is Beautiful, which became his first number-one single. Let’s just call this song for what it is: it’s religious propaganda. It has the presentation of Sunday school and it’s barf-inducingly sappy and disingenuous at heart. This is the music that would get played at some Republican convention somewhere in the country. Now, there’s nothing wrong with the message. Be more tolerant to others who look different from you? Fine. But there’s an issue with the messenger. As I said, Ray Stevens made a career out of comedy songs. If he wants to be serious, fine, but be consistent, dude. Let me remind you that this guy made a song called Ahab The Arab. I won’t put up a link, you go listen to it yourself. And in the 21st century, he made some hack political songs, including one in 2010 called God Bless Arizona where he defended the state when they proposed a law that would allow more racial profiling against Latinos. What I’m trying to say here is that Ray Stevens is a flaming hypocrite. And this won’t be the last time we’ll hear from him on this series. Congratulations to Everything Is Beautiful for being one of the worst songs of 1970.

 

Demis Roussos – Forever and Ever – 1973

The song was written by Alec R. Costandinos and Stélios Vlavianós. The recording was produced by Demis Roussos.

There is also a Spanish-language version, titled “Eternamente”.

What Clint Eastwood Spaghetti Western did this guy crawl out of? Just a horrible warbling song I never want to hear again. Painful to endure.

Charlene – I’ve Never Been To Me – 1977

I’ve Never Been to Me” is a ballad, written and composed by Ron Miller and Kenneth Hirsch and made popular via a recording by American singer Charlene. Although its original release in 1977 barely registered on the Billboard Hot 100, its re-release in 1982 hit number three in the US and earned her a Gold certification in Australia, where it held the number one spot for six weeks. In addition, the song topped the charts in Canada (4 weeks), Ireland (3 weeks), and the United Kingdom. It was also a Top Ten triumph in Norway, Belgium, New Zealand, and the Netherlands, and became Motown‘s first Top Ten hit by a white female solo singer.

When I hear this song all I can think about doing is grabbing a serrated hunting knife and sawing through my corroded artery and ending it all in a bloodbath of horror. This song and video are an absolute disaster.

Listen to those dreadful lyrics!

Oh, and wait until she starts talking. I defy you not to find a brick wall and just smash your head into it over and over until you lose consciousness to escape this nightmare of a song. This song is so bad it actually makes me angry when I hear it.

DISASTER!

Bobby Gentry – Ode to Billy Joe – 1967

Ode to Billie Joe” is a song written and recorded by Bobbie Gentry, a singer-songwriter from Chickasaw County, Mississippi. The single, released on July 10, 1967, was a number-one hit in the US within three weeks of release and a big international seller. Billboard ranked the record as the No. 3 song of the year. The recording remained on the Billboard chart for 20 weeks and was the Number 1 song for four weeks.

It generated eight Grammy nominations, resulting in three wins for Gentry and one for arranger Jimmie Haskell. “Ode to Billie Joe” has since made Rolling Stone‘s lists of the “500 Greatest Songs of All Time” and the “100 Greatest Country Songs of All Time” and Pitchfork‘s “200 Best Songs of the 1960s”.

The song takes the form of a first-person narrative performed over sparse acoustic accompaniment, though with strings in the background. It tells of a rural Mississippi family’s reaction to the news of the suicide of Billie Joe McAllister, a local boy to whom the daughter (and narrator) is connected. Hearsay around the “Tallahatchie Bridge” forms the narrative and musical hook. The song concludes with the demise of the father and the lingering, singular effects of the two deaths on the family. According to Gentry, the song is about “basic indifference, the casualness of people in moments of tragedy”

Bobbie Gentry’s “Ode To Billie Joe”

Why does this weird song make me think about the song, Harper Valley PTA? It’s just one of those endless story songs that you have to sit through to try to find the meaning. Halfway through it, I was like… Who cares, Bobby? Nobody wants to hear you describe this dull story in a lame song.

CRAP!

The Five Stairsteps – O-o-h Child – 1970

O-o-h Child” is a 1970 single recorded by Chicago soul family group the Five Stairsteps and released on the Buddah label. The Five Stairsteps had previous peripheral success recording in Chicago with Curtis Mayfield; when Mayfield’s workload precluded his continuing to work with the group they were reassigned to Stan Vincent, an in-house producer for Buddah Records, who had recently scored a Top Ten hit with the Lou Christie single “I’m Gonna Make You Mine“. The Five Stairsteps’ debut collaboration with Vincent was originally formatted with the group’s rendition of “Dear Prudence” as the A-side with Vincent’s original composition “O-o-h Child” as B-side. However, “O-o-h Child” broke out in the key markets of Philadelphia and Detroit to rise as high as #8 on the Billboard Hot 100 in the summer of 1970. The track’s R&B chart impact was more muted with a #14 peak, although “O-o-h Child” is now regarded as a “soft soul” classic. Billboard ranked the record as the No. 21 song of 1970.

I lived with a woman once who was as crazy as a shithouse rat. I would come home from work and she would be having one of her many bi-polar fueled rage-fests at her kids. I would just start to sing this song to annoy her. Because her life was so easy living at my house rent and bill free. She ended up cheating on me and moving out. But whenever I hear this song it makes me think of that time. With its La la la’s…

It’s just an annoying song. Prove me wrong.

Hurricane Smith – Oh Babe, What Would You Say? – 1972

  • This recording was a demo of a song that Smith had written for a different artist to record. When he played it for Mickie Most, the record producer was impressed enough to tell him to release it as it was.
  • Smith said about this song: “The melody was happy and simple. It was the producer in me that designed the lyric to recapture the era I grew up in. It’s almost a true story of my life. I would go to a ballroom, but I was so shy I couldn’t even ask someone to dance. I’d walk home imagining a romance when I’d never even reached first base. ‘Oh, Babe’ was about those fantasies.” (Weird)
  • Born Norman Smith in northern England, he took up the “Hurricane Smith” moniker from a 1952 film. Smith worked as an engineer on all the Beatles’ sessions between 1962 and 1965 when EMI promoted him to producer. The last Beatles album he recorded was Rubber Soul. In the late ’60s, Smith produced Pink Floyd’s early albums and one of the first rock concept albums, The Pretty Things’ S.F. Sorrow. Smith later appeared on albums by Teardrop Explodes and Julian Cope. He died on March 3, 2008.

This clown worked with the Beatles. You’d think he would have learned something or simply stayed out of the game! How the hell did he get on Carson?

His voice sounds like Dr. Hook and the Medicine Show on booze and crack and living in an alley somewhere. Why was vaudevillian music like this still being recorded in the 70s?

And why the hell did he stick his finger in the sax player’s ear? WTF?

Awful!

Clive Dunn – Grandad – 1970

“Grandad” is a popular song by Herbie Flowers and Kenny Pickett, and recorded by Clive Dunn.

While starring in the long-running BBC situation comedy Dad’s Army, Dunn met bassist Herbie Flowers at a party, and on learning, he was a songwriter challenged him to write a song for him. Flowers wrote “Grandad” with Creation vocalist Kenny Pickett.

The single was released in November 1970, and, aided by promotion such as appearing on children’s shows such as Basil Brush and DJ Tony Blackburn claiming it as his favorite record, in January 1971 it reached No. 1 on the UK Singles Chart for three weeks, during which time Dunn celebrated his 51st birthday, and went on to spend a total of 27 weeks on the chart. Dunn never had another hit single but he did release an album which featured “Grandad” and B-Side “I play the Spoons” titled Permission to Sing Sir!

In 1979-1984, Dunn starred as Charlie “Grandad” Quick in a children’s television show named Grandad, although the series did not use the song as the theme tune. (Which is weird) I just added this song to my list because it’s just weird.

The chorus just makes my skin crawl. Just when I think it’s over, another verse begins and I wish my life would end.

Melanie – Brand New Key – 1972

The song is sung from the viewpoint of a girl with roller skates trying to attract the attention of a boy.

In an interview with Examiner.com, Melanie described what she claimed was the inspiration for the song: “I was fasting with a 27-day fast on water. I broke the fast and went back to my life living in New Jersey and we were going to a flea market around six in the morning. On the way back… and I had just broken the fast, from the flea market, we passed a McDonald’s and the aroma hit me, and I had been a vegetarian before the fast. So we pulled into the McDonald’s and I got the whole works… the burger, the shake, and the fries… and no sooner after I finished that last bite of my burger… that song was in my head. The aroma brought back memories of roller skating and learning to ride a bike and the vision of my dad holding the back fender of the tire. And me saying to my dad… ‘You’re holding, you’re holding, you’re holding, right?’ Then I’d look back and he wasn’t holding and I’d fall. So that whole thing came back to me and came out in this song.”

This is an odd song that deserves to be on this list, but that last part about her dad got to me. I promised myself I wouldn’t trash it.

 

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Tales of Rock: Here Are The 25 Best ’70s Songs To Get High To

As society nervously shifted towards a new decade the times they were a changing. The counterculture was at its zenith, drugs became more wildly accessible and sexuality was being explored in new and wilder ways. That’s not to mention the exquisite originality and implacable power of those ’70s songs that stand the test of time.

Thus we implore you to light up a joint and harken back to the 25 best ’70s songs to get high to.

70s songs

Delve into the 25 most mind-bending, beguiling, or downright beautiful ’70s songs to kick back and light up to. Purple haze, Jesus saves.

25. Bob Marley & The Wailers – No Woman, No Cry

Looking back on the poverty and disenfranchisement of his time in Trench Town, Jamaica, Bob Marley was at his lilting, lyrical best on No Woman, No Cry.

Marley implores people to dry their tears and have faith that things will get better, as he once did to his girlfriend.

24. Genesis – Firth Of Fifth

One of the crowning glories of their live sets. Banks’ classically inclined piano enters the fray drawing you into their complex time signatures and melancholy dueling between Gabriel’s flute and Hackett’s guitar ‘violining’.

Genesis is one of the most ingenious bands of all time and unquestionably one of the best to get high to.

23. Television  – Marquee Moon

A ten-minute single? It was positively unheard of in the Punk scene. However, the spellbinding guitar interplay between Tom Verlaine and Richard Lloyd made Marquee Moon the incredible single that it was. Television were visionaries there is no doubt about it.

The thoughtful composition and frail vocals have seen Marquee Moon referred to as one of the greatest guitar albums of all time and honestly, we have to agree.

22. Neil Young – Heart Of Gold

Initially criticized by Dylan for sounding too much like him, Heart Of Gold remains a glistening gem for the singer, song-writer genre.

This immaculate confluence of country rock and quivering vocals perfectly embodies the undying essence of Neil Young.

21. Curtis Mayfield – Get On Up

After recently departing from The Impressions, Curtis Mayfield dropped his debut, yearning to find a distinguished voice of his own.

Get On Up wound up spending 10 weeks in the Top 50 of the UK Charts and was the soundtrack for a generation. Not bad for a 9-minute single.

20. Jefferson Starship – St. Charles

After Jefferson Airplane, Grace Slick and Paul Kantner went on to form sci-fi funk supergroup, Jefferson Starship, and Spitfire was where they really hit their stride.

St. Charles is a compelling confluence of ’60s rock on the dawn of funk and will certainly leave you reeling from the blow.

19. Bob Dylan – Tangled Up In Blue

Bob Dylan was in a veritable slump during the early 1970s. Afraid of being another ’60s washout, exhausted from relentless touring and recovering from a serious dose of food poisoning, Dylan hit back hard in 1976 with Blood On The Tracks.

Every song on this album is just sublime but opener Tangled Up In Blue is where it’s at.

18. Queen – Bohemian Rhapsody

Queen’s operatic sensation, Bohemian Rhapsody is and always will be one of the most iconic tunes ever written. Freddie Mercury‘s crystal clear vision and magnificent vocals perfectly reflect his genius, shining proudly against the mountainous triumph of all ’70s songs.

17. James Brown – Get Up (I Feel Like Being A) Sex Machine

Rarely has a song written about sex, been as sexy itself. It’s positively throbbing with a vibe and pulsating with the unmistakable essence of James Brown.

Light up, get down, and feel the funk!

16. Deep Purple – Speed King

Charging down the sonic highway, Deep Purple were progenitors to heavy metal amidst the rock revolution of the 1970s. The immaculate guitar work of Ritchie Blackmore and vocals from David Coverdale make Speed King an undeniable staple of rock greatness.

15. Elton John – Tiny Dancer

Simply one of the best songs ever written, Bernie Taupin was at his most inspired with Elton John at his effortless best.

Opening up their 1971 triumph Madman Across The Water, there is something undeniably magical about Tiny Dancer that has never quite been replicated since.

14. Black Sabbath – War Pigs

When Black Sabbath unveiled themselves to the world in 1970 it’s safe to say they scared a lot of folks. The world wasn’t ready for Sabbath and War Pigs says it all. Pounding drums, political contention, and one hell of a solo from Tony Iommi.

13. Lou Reed – Walk On The Wild Side

Lou Reed’s only solo hit was a ballad for all the freaks and outsiders out there. Hence why it’s the perfect laid-back tune to light up with on a lazy Sunday morn.

Featuring Reed’s dead-pan wit and ten-ton boredom, no other song better encapsulates his effortless genius than Walk On The Wild Side.

12. David Bowie – Life On Mars

Life On Mars embodies everything we love about David Bowie. His sci-fi exploration, catchy hooks, and memorable song-craft.

Just before the world was introduced to Ziggymania, Bowie laid bare his interstellar questioning and eternal power as an artist.

11. Pink Floyd – Echoes

The monolithic Floyd construction, Echoes is undoubtedly one of the greatest songs to get high to, full stop. This 23-minute rabbit hole is essentially four different songs sewn together by expert surgeons.

The perfect transitional encapsulation of Pink Floyd moving from their avant-garde roots to their psychedelic conceptual maser works, Echoes is a must.

10. Talking Heads – Psycho Killer

Sweating with paranoia, Psycho Killer is vintage Talking Heads. It’s the levee breaking into a flood of new wave genius, with David Byrne at his lyrical and psychotic best.

While David Byrne decided to leave all imagery of the murder out of Psycho Killer it’s still pretty graphic and assuredly one of the best ’70s songs ever written.

9. Derek and the Dominos – Layla

After John Mayall and The Yardbirds. After Cream and Blind Faith. After Dirty Mac and the Plastic Ono Band, Eric Clapton formed Derek and the Dominos for one trail-blazing, hot album Layla and Other Assorted Love Songs.

Inspired by Clapton’s undying love for George Harrison‘s wife Patti Boyd, the emotion is erupting from every note and every word.

Trivia note: In the studio version Duane Allman joins Eric Clapton for an iconic double solo between Gibson and fender.

8. Joni Mitchell – Big Yellow Taxi

As Joni Mitchell looked out over the Hawaiian scenery all she saw was concrete and despair. Yet for all the bleakness of the lyrics and theme, the chords are surprisingly warm and optimistic.

Lord knows how Joni must feel now.

7. John Lennon – Imagine

Powerful, poetic, and political. Everything that embodied John Lennon was so effortlessly captured in Imagine.

Arguably the greatest protest song ever written, Imagine hits the nail so squarely on the head as to pin Lennon to the history books for all eternity.

6. Fleetwood Mac – Dreams

Circular chords, poignant lyrics, and aimed like a knife straight at Lindsey Buckingham’s heart, Stevie Nicks wrote Dreams in the next room of the studio they were recording Rumours in, with Sly Stone.

An absolute masterpiece of songcraft and bound to turn on the waterworks when you’re feeling it, this Fleetwood Mac tune is a testament to their timelessness.

5. Grateful Dead – The Other One

If you’ve ever wondered why the Grateful Dead have a cult following The Other One will prove it. Recorded live in 1971 The Other One is an epic, improvised jam inspired by Beat icon Neal Cassidy.

Jerry Garcia‘s playing is a wonder to behold and if you’re high this 18-minute epic is guaranteed to blow your mind.

4. Led Zeppelin – Stairway To Heaven

Arguably the greatest rock anthem of all time, Led Zeppelin constructed a true masterpiece on their fourth album and they knew it.

Even people who hate rock know Stairway To Heaven, all the way through to its rapturous solo and thundering climax.

3. The Rolling Stones – Brown Sugar

One of the most controversial songs in rock history, it’s hard to pin down exactly what Brown Sugar is about. Sex, slavery, heroin… who knows?

One this is known though, the groove is hot and this tune is as quintessentially Rolling Stones as a tumbling rock that gathers no moss.

2. The Doors – Riders On The Storm

Just shy of jam rock, The Doors were masters of crafting longer tracks that appeared free form but were actually incredibly well built. From Jim Morrison‘s acid-poetry to Ray Manzarek‘s trickling piano rain it’s all here in spades.

“Send them out to Arizona for some good thunder,” said Jim Morrison during take #9. Thus, one of the greatest ’70s songs was born.

1. Pink Floyd – Time

A quintessential song of the ages, Pink Floyd‘s Time is eternal. Thematically and sonically, there is not a note out of place, and it’s just on the obscure side of commercial to put it in the best of both worlds.

One of the best songs from one of the best albums of all time, both are exceptional experiences in their own right.

 

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. I publish every day.

You can check out my books here: https://www.amazon.com/s?k=charles+wiedenmann&ref=nb_sb_noss_1

Halloween – Kiss & Make Up

Philadelphia, PA – 1978

Remember that kid Jimmy I told you in the band series? (Link below.) He did magic and got gigs at kid’s parties as Jimbo the Clown. I told you in that chapter that he was really good at makeup. Well, one day he invited me and my friend, Steve over to get made up as the group Kiss for Halloween. How great would that be, right?

Renegade – 1978 to 1979 – Chapter 7 – Youth Group Show

We go over to his house and he’s got everything ready. He plays every Kiss album he has in his collection while he does our makeup. It takes hours but we’re having fun. We hoped it would come out okay.

Well, that’s my friend Stephen Peoples at Kiss drummer, Peter Criss and that’s me as bassist, Gene Simmons.

Awesome, right?

That’s me, as Gene, (Holding Larry’s bass from our band) Steve as Peter, and the guy on the right is the dude Jimmy Hunsinger that did all of our make-up as lead guitarist, Ace Frehley!

We look like the real deal!

It was a fantastic Halloween!

 

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. I publish every day.

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Tales of Rock – John Lennon turns 80: What the musician thought about a possible Beatles reunion

John Lennon turns 80: What the musician thought about a possible Beatles reunion | The Independent
— Read on www.google.com/amp/s/www.independent.co.uk/arts-entertainment/music/news/john-lennon-death-80-birthday-beatles-reunion-paul-mccartney-mark-chapman-b910215.html?amp

 

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. I publish every day.

You can check out my books here: https://www.amazon.com/s?k=charles+wiedenmann&ref=nb_sb_noss_1

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